Abstract
This essay describes a new aesthetic of landscape and urban design, an aesthetic that encompasses both nature and culture, that embodies function, sensory perception, and symbolic meaning, and that embraces both the making of things and places and the sensing, using, and contemplating of them. This theory is based upon an understanding of nature and culture as comprising interwoven processes that exhibit a complex, underlying order that holds across vast scales of space and time. This basis in process yields a view of urban form as dynamic, as evolving over time, in predictable and unpredictable ways.

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