A Sociology of Attachment: Music Amateurs, Drug Users

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Abstract
After describing objects as networks, we attempt to describe ‘subject-networks’. Instead of focusing on capacities inherent in a subject, we attend instead to the tactics and techniques which make possible the emergence of a subject as it enters a ‘dispositif’. Opting for an optimistic analysis of Foucault, we consider ‘dispositifs’ and their constraints to be generative: they do not simply reduce but also reveal and multiply. The generative power of ‘dispositifs’ depends upon their capacity to create and make use of new capacities in the persons who pass through them. Drawing upon a diverse body of literature and upon fieldwork among drug addicts and music amateurs, we show how this point of entry into the question of the subject immediately and irredeemably undoes traditional dichotomies of sociology. It becomes impossible to continue to set up oppositions like those of agent/structure, subject/object, active/passive, free/determined. We also have to look beyond studies of ‘action’ and describe ‘events’. Through the words and trials of the music and drug lovers, it becomes clear that the subject can emerge as she actively submits herself to a collection of constraints. These actors describe necessary yet tentative techniques of preparation to produce this ‘active passion’, this form of ‘attachment’ which we attempt to describe as that which allows the subject to emerge—never alone, never a pristine individual, but rather always entangled with and generously gifted by a collective, by objects, techniques, constraints.

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