Kinematic Adaptations to Perturbations as a Function of Practice in Rhythmic Drawing Movements

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Abstract
Kinematic adaptations in multijoint rhythmic drawing movements were investigated under unexpected perturbations in friction levels between stylus and writing surface. Changes in coupling and stability properties were assessed as a function of practice level by applying perturbations to subjects' dominant and nondominant limbs. Under nonperturbation and perturbation conditions, joint motions of right-handed subjects were highly coupled in the nondominant limb and uncoupled in the dominant limb. Stability analyses of the kinematic responses in the phase plane showed a relatively higher intrajoint resistance to perturbations in the nondominant limb as compared to the dominant limb for the elbow joint, indicating a decrease in global joint stiffness with practice. These changes in joint coupling and stiffness with practice were not observed for left-handed subjects. In addition, the stability to perturbations in the end-effector (stylus) kinematics was related to the amount of joint coupling in the nondominant limb, whereas in the dominant limb there existed no such coupling. It was concluded that (a) practice changes the responses to perturbations from anatomically specific early in practice to task-specific late in practice, and (b) this shift is related to the stability in the joint phase-plane dynamics, degree of coupling between joint angles, and the decoupling of the dynamics in the intrinsic and extrinsic control spaces.