John Buchan’s ‘Hesperides’: landscape rhetoric and the aesthetics of bodily experience on the South African Highveld, 1901-1903

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Abstract
The creation and use of landscapes... always emerges from biographical and place-specific historical and social contexts, at the same time that it contributes towards the uninterrupted becoming of biography and place.1 The thing is correlative to my body and, in more general terms, to my existence, of which my body is merely the stabilized structure.2

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