The perception of melodies distorted by splitting into several octaves: Effects of increasing proximity and melodic contour
- 1 January 1977
- journal article
- research article
- Published by Springer Nature in Perception & Psychophysics
- Vol. 21 (1) , 60-64
- https://doi.org/10.3758/bf03199469
Abstract
No abstract availableKeywords
This publication has 11 references indexed in Scilit:
- Pitch, consonance, and harmonyThe Journal of the Acoustical Society of America, 1974
- The perception of interleaved melodiesCognitive Psychology, 1973
- Octave generalization of specific interference effects in memory for tonal pitchPerception & Psychophysics, 1973
- Octave generalization and tune recognitionPerception & Psychophysics, 1972
- Contour, Interval, and Pitch Recognition in Memory for MelodiesThe Journal of the Acoustical Society of America, 1971
- Primary auditory stream segregation and perception of order in rapid sequences of tones.Journal of Experimental Psychology, 1971
- Subjective Musical PitchThe Journal of the Acoustical Society of America, 1954
- The Trill ThresholdThe Journal of the Acoustical Society of America, 1950
- Octave generalization, pitch discrimination, and loudness thresholds in the white rat.Journal of Experimental Psychology, 1943