The inability of young children to reproduce intensity differences in musical rhythms
- 1 January 1990
- journal article
- research article
- Published by Springer Nature in Perception & Psychophysics
- Vol. 48 (1) , 91-101
- https://doi.org/10.3758/bf03205015
Abstract
A musical rhythm can be described in terms of both its temporal and its dynamic structure. However, although 6-year-old children are able to perceive and reproduce simple temporal structures, even 8-year-olds rarely reproduce intensity differences. Four experiments on the perception and reproduction of musical rhythms by 5- to 8-year-old children demonstrate that even though dynamic structure is clearly dominated by its temporal support, intensity differences play a role in reinforcing the temporal structure. The inability of children to reproduce intensity differences appears to be due neither to an inability to control the intensity of their tap responses nor to the fact that they cannot perceive such changes in intensity. Rather, the results seem best interpreted in terms of the allocation of attentional resources. With simple stimulus material (Experiments 1-3), the children focused on temporal information, and only when the processing of temporal information was mastered did they have "enough attention left" to direct it to intensity differences (Experiment 2). With more complex orchestral music (Experiment 4), attention was primarily allocated to the dynamic structure.Keywords
This publication has 32 references indexed in Scilit:
- The communication of dynamics between musicians and listeners through musical performancePerception & Psychophysics, 1987
- Dynamic pattern structure in music: Recent theory and researchPerception & Psychophysics, 1987
- Pitch and temporal contributions to musical phrase perception: Effects of harmony, performance timing, and familiarityPerception & Psychophysics, 1987
- Independent temporal and pitch structures in determination of musical phrases.Journal of Experimental Psychology: Human Perception and Performance, 1987
- Independent temporal and pitch structures in determination of musical phrases.Journal of Experimental Psychology: Human Perception and Performance, 1987
- Erratum: ‘‘Melodic accent: Experiments and a tentative model’’[J. Acoust. Soc. Am. 71, 1596–1605 (1982)]The Journal of the Acoustical Society of America, 1983
- Melodic accent: Experiments and a tentative modelThe Journal of the Acoustical Society of America, 1982
- Controlled attending as a function of melodic and temporal contextPerception & Psychophysics, 1982
- Time, our lost dimension: Toward a new theory of perception, attention, and memory.Psychological Review, 1976
- Cognitive processing and time perceptionPerception & Psychophysics, 1975