Jonsonian Comedy and the Discovery of the Social Self

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Abstract
The self in Jonson's comedies, like the self described by modern sociologists, is a reflection of other reflections, created by the society it creates. As Milgram's experiment on obedience to authority seems to show, the social self is radically contingent. Therefore the anagnorisis in Jonson's comedies is a catastrophe in more than the technical sense; it is the discovery of a self that cannot bear its own exposure. By contrast, the heroes and heroines of Shakespeare's romantic comedies discover themselves in relation to a nurturing family and a mature sexual family. Theirs is a psychological self. In the “comical satires,” Jonson encounters the problem of finding appropriate endings for plays whose characters can achieve no satisfying self-discovery. InVolponethe protagonist acts like an experimental social psychologist, exposing the pliability of the social self. The catastrophe shows that Volpone's own “substance” is only a reflection of his world's insubstantiality.

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