Abstract
This paper examines the emergence of the ‘photographic tour’ as a distinct cultural form in Scotland. Analysis of the written accounts of photographers visiting Scotland in the mid 19th century reveals a pattern of recurring attitudes in which Scottish topography is understood in terms of its history, literature and social culture. It is also related to parallel developments in other branches of leisure and recreation, and is thus shown to be an integral element in the growth of mass tourism.

This publication has 0 references indexed in Scilit: