Disciplining Subjectivity and Space: Representation, Film and its Material Effects

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Abstract
Although the distinction between representation and reality is increasingly blurred, I argue that representational discourses have material effects in everyday life. By moving “outside the text” I trace the messy terrain between visual discourse and everyday life in Downtown Eastside, Vancouver by examining two questions: (1) how do discursive productions of visual culture articulate, inscribe, and discipline space and subjectivity and (2) how do aboriginal women negotiate the material consequences of those representations? Using discourse and feminist analysis, I analyse how a documentary film, produced by the Vancouver Police Department, constructs spaces and subjectivities of deviance through techniques of realism and the moral gaze of the police officers. I argue that aboriginal women negotiate these deviant representations through their experiences of racism and sexism by police officers. Consequently, aboriginal women are rendered either hyper‐visible or invisible by police officers, marked by their gender, race, and class. Combining an analysis of the documentary film and in‐depth interviews with aboriginal women, I argue that critical geographers must consider the analytical spaces “outside of the text” to explore the material effects of visual representations.