Averageness, Exaggeration, and Facial Attractiveness
- 1 March 1996
- journal article
- Published by SAGE Publications in Psychological Science
- Vol. 7 (2) , 105-110
- https://doi.org/10.1111/j.1467-9280.1996.tb00338.x
Abstract
Langlois and her colleagues reported in this journal that composite faces are more attractive than the component faces used to create them, and conjectured that averageness is attractive (Langlois & Roggman, 1990, Langlois, Roggman, & Musselman, 1994) However, extremes may also be attractive (Perrett, May, & Yoshikawa, 1994) We investigated the effect of averageness (proximity to a norm or average face) on attractiveness using a computerized caricature generator to vary averageness Attractiveness increased with averageness (Experiment 1) and was negatively correlated with distinctiveness, a subjective measure of the converse of averageness (Expertments 1 and 2) Extremes (caricatures) were not attractive Line-drawing composites, which avoid some of the problems associated with gray-level composites, were significantly more attractive and less distinctive (more average) than individual faces (Experiment 2) These results support the claim that averageness is attractiveKeywords
This publication has 15 references indexed in Scilit:
- What Is Average and What Is Not Average About Attractive Faces?Psychological Science, 1994
- Facial shape and judgements of female attractivenessNature, 1994
- Visual Processing of Facial DistinctivenessPerception, 1994
- Caricature and face recognitionMemory & Cognition, 1992
- Article Commentary: On the Difficulty of Averaging Faces: Comments on Langlois and RoggmanPsychological Science, 1991
- Article Commentary: Averaged Faces Are Attractive, but Very Attractive Faces Are Not AveragePsychological Science, 1991
- Attractive Faces Are Only AveragePsychological Science, 1990
- Infant preferences for attractive faces: Rudiments of a stereotype?Developmental Psychology, 1987
- Caricature Generator: The Dynamic Exaggeration of Faces by ComputerPublished by JSTOR ,1985
- Composite Portraits, Made by Combining Those of Many Different Persons Into a Single Resultant Figure.The Journal of the Anthropological Institute of Great Britain and Ireland, 1879