“Everybody knows this is nowhere”: Role conflict and the rock musician
- 1 September 1971
- journal article
- research article
- Published by Taylor & Francis in Popular Music and Society
- Vol. 1 (1) , 20-32
- https://doi.org/10.1080/03007767108590970
Abstract
No abstract availableKeywords
This publication has 10 references indexed in Scilit:
- Entrepreneurship in Organizations: Evidence from the Popular Music IndustryAdministrative Science Quarterly, 1971
- The Popular Protest Song: The Case of "Eve of Destruction"Public Opinion Quarterly, 1971
- Top Songs in the SixtiesAmerican Behavioral Scientist, 1971
- Generations and Counter-Culture: A Study in the Ideology of MusicYouth & Society, 1970
- The Ideology of Autonomy in Popular Lyrics: A Content AnalysisPsychiatry: Interpersonal & Biological Processes, 1969
- Changing Courtship Patterns in the Popular SongAmerican Journal of Sociology, 1969
- A Theory of the Jazz CommunityThe Sociological Quarterly, 1968
- The Dialogue of Courtship in Popular SongsAmerican Journal of Sociology, 1957
- Mass Communication and Para-Social InteractionPsychiatry: Interpersonal & Biological Processes, 1956
- The Professional Dance Musician and His AudienceAmerican Journal of Sociology, 1951