II. —Decorated Initials in English MSS. from A.D. 900 to 1100

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Abstract
A recent beautiful publication by Mr. Mynors of the MSS. in the Cathedral Library at Durham has raised an important point in the history of English illuminated MSS. Up to now there has been a tendency to regard the Norman Conquest as constituting a complete break with the past accompanied by the introduction of a new style of illumination. There is, of course, no doubt that in many spheres of life the Norman occupation of England did do away with many characteristics of Anglo-Saxon England. But this is not the whole story. A change in one department of life does not mean a revolution in another. In the realm of literature, for instance, Professor Chambers has shown that the Conquest did not interrupt the writing and development of vernacular prose. Mr. Mynors's book produces ample evidence to confirm a suspicion long held by some, but not uttered, that much of the ornament used by illuminators of English MSS. during the first fifty years after the Conquest is directly descended from motives in use in England long before the Norman invasion. To Mr. Mynors's evidence from Durham, examples of illuminated MSS. from Canterbury may be added in order to show that the famous outline drawing style of the English MSS. of the tenth and eleventh centuries had healthy descendants in the early years of the twelfth century. The best place to see this continuity is in the illuminated initials of these MSS. In order to do so it is necessary to examine the development of initial ornament in England during the tenth and eleventh centuries.

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