From‘Normal Appearances’to 'Simulation’in Interaction

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Abstract
Since they are modern characters, living in an age of transition more urgently hysterical at any rate than the age which preceded it, I have drawn my people as split and vacillating, a mixture of the old and the new. and I think it not improbable that modern ideas may, through the media of newspapers and conversation, have seeped down into the social stratum which exists below stairs. My souls (or characters) are agglomerations of past and present cultures, scraps from books and newspapers, fragments of humanity, torn shreds of once‐fine clothing that has become rags, in just the way that a human soul is patched together. (Strindberg [1888] 1964: 102‐3)

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