Abstract
The friendly expatriate ladies of the chorus in Helen enter having heard loud lamentation issuing from the palace, while engaged, like the Φ⋯λα of the chorus in Hippolytus 125ff., in spreading laundered crimson textiles to dry in the sun. The central theme of ‘hearing cries’, with the verb ἒκλυον and nouns of utterance (185–6), is reminiscent also of Medea 131ff., where the opening words of the Parodos ἒκλυον Φων⋯ν, ἒκλυον δ⋯ βο⋯ν… allude to Medea's loud utterances ἒсωθεν in 96ff. (ἰώ…) and 111ff. (αἰαî…): here, as there, the Parodos exploits the familiar motif of βοηδρομ⋯α.

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