The Effects of Mellow and Frenetic Music on Reported Cognitions Resulting from Auditory Subliminal Messages
- 1 January 1990
- journal article
- research article
- Published by Taylor & Francis in The Journal of General Psychology
- Vol. 117 (1) , 83-89
- https://doi.org/10.1080/00221309.1990.9917775
Abstract
Building on the work of Henley and Dixon (1974) and Mykel and Daves (1979), we investigated the effects of mellow and frenetic music on reported cognitions resulting from auditory subliminal stimuli. College students (N = 120) were randomly assembled into six groups. One third of the students heard four subliminally transmitted water-related words, one third heard four subliminally transmitted family-related words, and one third heard no subliminal stimuli. Either mellow or frenetic masking music was played for half the students in each group. Students reported more word-related imagery in the mellow music conditions than in the frenetic conditions, although the reported imagery did not correspond with the subliminal messages presented.Keywords
This publication has 7 references indexed in Scilit:
- Unconscious perception re-revisited: A comment on Merikle’s (1982) paperBulletin of the Psychonomic Society, 1984
- Evidence of unconscious semantic processing from a forced error situationBritish Journal of Psychology, 1984
- Affective Discrimination of Stimuli That Cannot Be RecognizedScience, 1980
- Emergence of unreported stimuli into imagery as a function of laterality of presentation: A replication and extension of research by Henley & Dixon (1974)British Journal of Psychology, 1979
- LATERALITY DIFFERENCES IN THE EFFECT OF INCIDENTAL STIMULI UPON EVOKED IMAGERYBritish Journal of Psychology, 1974
- The restricting effects of awareness: A paradox and explanation.The Journal of Abnormal and Social Psychology, 1962
- The effects of subliminal and supraliminal suggestion on verbal productivity.The Journal of Abnormal and Social Psychology, 1960