The Concept of Meter: An Exercise in Abstraction

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Abstract
Let us first of all confess that it is not as if we were writing under the persuasion that we have a novel view to proclaim. It is true that the view which we believe to be correct is often under attack today and is sometimes supposed to be outmoded by recent refinements. Its proponents too are often not sure enough of its actual character to defend it with accuracy. At the same time, a look into some of the most recent handbooks and critical essays reveals that there are some teachers and writers on our subject today who expound this view in a perfectly clear and accurate way. We have in mind, for instance, A Glossary of Literary Terms revised by Meyer Abrams for Rinehart in 1957 from the earlier work by Norton and Rushton, or the handbook by Laurence Perrine, Sound and Sense: An Introduction to Poetry, published in 1956 by Harcourt, Brace. In the lengthy Kenyon Review symposium on English verse, Summer 1956, we admire the niceties of Mr. Arnold Stein's traditionally oriented discussion of Donne and Milton. There is also Mr. Stein's earlier PMLA article (lix [1944], 393–397) on “Donne's Prosody.” In the Kenyon symposium there is, furthermore, Mr. Ransom. It would be difficult to frame a more politely telling, persuasive, accurate retort than his to the more extravagant claims of the linguists.

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