Perception of relative pitch with different references: Some absolute-pitch listeners can’t tell musical interval names

This publication has 23 references indexed in Scilit:

• Intonation Variants of Musical Intervals in Isolation and in Musical Contexts
  Psychology of Music, 1990
• Musical pitch identification by absolute pitch possessors
  Perception & Psychophysics, 1988
• Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.
  Psychological Review, 1982
• Quantification of the hierarchy of tonal functions within a diatonic context.
  Journal of Experimental Psychology: Human Perception and Performance, 1979
• Quantification of the hierarchy of tonal functions within a diatonic context.
  Journal of Experimental Psychology: Human Perception and Performance, 1979
• Absolute identification of notes and intervals by musicians
  Perception & Psychophysics, 1977
• Perceptual Shifts in the Auditory Information Processing of Young Children
  Psychology of Music, 1973
• Fixed-Scale Mechanism of Absolute Pitch
  The Journal of the Acoustical Society of America, 1970
• Practice Effects in the Absolute Judgment of Pitch
  The Journal of the Acoustical Society of America, 1968
• Various Types of Absolute Pitch
  The Journal of the Acoustical Society of America, 1937