Abstract
During the Yenan period the Chinese Communists built up a literature as they built up a party organisation and an army: as an instrument of policy, fashioned in accordance with Marxist principles. Like the organisation and like the army, the literature served the needs of the time. Plays, poems, stories, novels, ballads, reportages flowed in profusion from professional writers emerged from Kuomintang jails; from trainees of the Lu Hsün Academy in Yenan itself; from farmers and soldiers who after initial success were welcomed into the ranks of “art workers.” These writings whipped up popular support for the new government and established flesh-and-blood examples of behaviour-patterns for the new society. More effectively than any textbook of theory, they gave instruction in practical Communism.

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