Abstract
The problem of politics and culture emerged in European thought from Kierkegaard to Freud the encounter with modernity. In this paper I examine a major instance of that encounter in Weber's “science of culture” and his analysis of the cultural significance of capitalism. In Weber's work the most important and politically relevant responses to modern, subjectivist culture lie in attempts from within the ethical, aesthetic, erotic, and intellectualist life orders or value spheres to escape from the “iron cage” constructed by Western rationalism. I investigate the relative autonomy and paradoxical nature of these different attempts, and conclude with an explanation of Weber's choices with respect to the sphere of knowledge, or “science.”

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