The Myth of a Redundant Craft: Potters in Northern Nigeria

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Abstract
The potter is regarded as one of the few truly ‘traditional’ craftsmen still operating in West Africa. But, though the resilience of the craft has been noted, a general decline in its significance is accepted. Nor is this simply a matter of numbers. Nearly 40 years ago, K. C. Murray commented that ‘Pottery, which is one of the most important indigenous crafts in Nigeria, has escaped progress altogether. The traditional work has remained unchanged, except that in recent years its quality has declined’. Much of the responsibility for this state of affairs has been placed on the ‘primitive’ nature of both the product and the craft, as well as the easy availability of metal and enamelware substitutes as a direct result of colonial penetration.

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