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WOMEN AND MEDIA: CONTENT, CAREERS, CRITICISM edited by Cynthia M. Lont (Belmont, CA: Wadsworth, 1995—no price given, paper, ISBN 0–534–24732–6, 415 pp.) GENDER, RACE AND CLASS IN MEDIA: A TEXT‐READER edited by Gail Dines and Jean M. Humez (Thousand Oaks, CA: Sage, 1994—$69.95/29.95, ISBN 0–8039–5163–9 hard, 0–8039–5164–7, 648 pp.) MEDIA LITERACY: KEYS TO INTERPRETING MEDIA MESSAGES by Art Silverblatt (Westport, CT: Praeger, 1995— price not given, ISBN 0–275–94830–7 hard, 0–275–94831–5 paper, 340 pp.) INTERNSHIPS IN COMMUNICATIONS by James P. Alexander (Ames: Iowa State University Press, 1995—$14.95, paper, ISBN 0–8138–2231–0, 216 pp.) COMMUNICATIONS MEDIA IN THE INFORMATION SOCIETY by Joseph Straubhaar and Robert LaRose (Belmont, CA: Wadsworth, 1995—price not given, paper, ISBN 0–534–21534–3, 490 pp.) MASS MEDIA, MASS CULTURE: AN INTRODUCTION by Stan Le Roy Wilson (New York: McGraw‐Hill, 1995—price not given, paper, ISBN 0–07–070826–6, 428 pp.) "MEDIA CRITICS,”; is the topic of Media Studies Journal 9:2 (Spring 1995) THE SOUND, THE FUTURE, AND THE SIGNIFICANCE by John LeGates (Cambridge: Harvard Program on Information Resources Policy, 1995 (1–95–2)— price not given, paper, ISBN 1–879716–22–4, 18 pp.) FREELANCE WRITINGS IN THE HIGH‐TECH AGE: A CONFLICT OF INTERESTS by John Rothman (Cambridge, MA: Harvard Program on Information Resources Policy, 1995 (P‐95–2)— price not given, paper, ISBN 1–879716–25–9, 28 pp.)

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