DIMENSION ANALYSIS OF THE PERCEPTION OF MUSICAL STYLE
- 1 September 1969
- journal article
- Published by Wiley in Scandinavian Journal of Psychology
- Vol. 10 (1) , 97-108
- https://doi.org/10.1111/j.1467-9450.1969.tb00015.x
Abstract
Wedin, L. Dimension analysis of the perception of musical style. Scand. J. Psychol., 1969, 10, 97–108.‐The subjective similarity of ten short excerpts from musical works ranging over the period of 1720–1890 was studied by (I) the direct multidimensional ratio scaling method and (2) by the method of similarity analysis. Factor analysis extracted three or four factors depending on the degree of musical training of the subjects. The differentiation and inter‐pretability of the factors were higher for subjects with more musical training and interest. The factors were labeled ‘Baroque’, ‘Rococo’, ‘Viennese classicism’ and ‘Romanticism’.Keywords
This publication has 20 references indexed in Scilit:
- A quantitative principle of qualitative similarity.Journal of Experimental Psychology, 1964
- A Direct Method for Multidimensional Ratio ScalingPsychometrika, 1963
- A Reevaluation of a Factorial Study of the Components of MusicThe Journal of Psychology, 1957
- Dimensions of emotionActa Psychologica, 1955
- A Factorial Study of the Components of MusicThe Journal of Psychology, 1955
- Dimensions of Color VisionThe Journal of Psychology, 1954
- Basal Emotional Patterns Expressible in MusicThe American Journal of Psychology, 1942
- Factors Determining the Characterization of Musical PhrasesThe American Journal of Psychology, 1935
- Expression in music: a discussion of experimental studies and theories.Psychological Review, 1935
- A Quantitative Analysis of Indian MusicThe American Journal of Psychology, 1932