DIMENSION ANALYSIS OF THE PERCEPTION OF INSTRUMENTAL TIMBRE
- 1 September 1972
- journal article
- Published by Wiley in Scandinavian Journal of Psychology
- Vol. 13 (1) , 228-240
- https://doi.org/10.1111/j.1467-9450.1972.tb00071.x
Abstract
No abstract availableKeywords
This publication has 11 references indexed in Scilit:
- Vowel Quality and Musical Timbre as Functions of Spectrum Envelope and Fundamental FrequencyThe Journal of the Acoustical Society of America, 1968
- Two Methods for the Analysis of Perceptual DimensionalityPerceptual and Motor Skills, 1965
- Experimentelle Beiträge zur Psychologie des musikalischen HörensPublished by Walter de Gruyter GmbH ,1964
- A quantitative principle of qualitative similarity.Journal of Experimental Psychology, 1964
- Timbre Cues and the Identification of Musical InstrumentsThe Journal of the Acoustical Society of America, 1964
- Some Factors in the Recognition of TimbreThe Journal of the Acoustical Society of America, 1964
- Semantic Approach to the Perception of Complex SoundsThe Journal of the Acoustical Society of America, 1958
- Attributes of complex tones.Journal of Experimental Psychology, 1941
- Loudness, Pitch and the Timbre of Musical Tones and Their Relation to the Intensity, the Frequency and the Overtone StructureThe Journal of the Acoustical Society of America, 1934
- A Physical Definition of “Good Voice-Quality” in the Male VoiceThe Journal of the Acoustical Society of America, 1934