Chicano ideology revisited: Rap music and the (re)articulation of Chicanismo
- 1 June 1998
- journal article
- research article
- Published by Taylor & Francis in Western Journal of Communication
- Vol. 62 (2) , 95-113
- https://doi.org/10.1080/10570319809374601
Abstract
The author argues that rap music functions as a vehicle to express oppositional politics. As a result, Chicano rappers appropriate the musical genre to (re)articulate Chicano ideology. Examining the products of several artists, the author argues that Chicano rappers rhetorically reproduce several common elements of Chicano ideology. These rappers use cultural and ideological elements to again empower Mexican American audiences to conceive of themselves as a unified, politically engaged bloc. The author concludes that Chicano rappers open a public space that offers Chicanismo to a contemporary mass audience but with traditional Chicano nationalist messages embedded in the lyrics. Rap music is also discussed as a vehicle for presenting nationalist and critical discourses from the margins.Keywords
This publication has 26 references indexed in Scilit:
- Creating discursive space through a rhetoric of difference: Chicana feminists craft a homelandQuarterly Journal of Speech, 1996
- Antonio's b‐boys: Rap, rappers, and Gramsci's intellectualsPopular Music and Society, 1995
- Understanding and incorporating rap: The articulation of alternative popular musical practices within dominant cultural practices and institutionsHoward Journal of Communications, 1995
- Ethnic heritage as rhetorical legacy: The plan of DelanoQuarterly Journal of Speech, 1994
- On the Question of Nigga Authenticityboundary 2, 1994
- The emergence of blues and rap: A comparison and assessment of the context, meaning, and message1Popular Music and Society, 1993
- The rap on violence: A rhetorical analysis of rapper KRS‐OneCommunication Studies, 1993
- Rap music: Its role as an agent of changePopular Music and Society, 1992
- Handling "Crisis": Great Books, Rap Music, and the End of Western Homogeneity (Reflections on the Humanities in America)Callaloo, 1990
- Cultural Nationalism and Xicano Literature during the Decade of 1965-1975MELUS: Multi-Ethnic Literature of the United States, 1981