Abstract
Assuming that the symbols demonstrated to be important to the understanding of art, literature and religion are likely to be equally useful in the study of politics leads the author to identify seven basic notations: the point, the circle, the square, the dividing line (either vertical or horizontal), and the directional line (either vertical or horizontal). The article speculates on the consequences of casting political thoughts in spatial frameworks developed out of these basic notations. Special attention is given to the Left-Right and Up-Down dimensions and to the problem of the congruence between political ideology and its underlying spatial archetype.

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